

One payoff for this stance is avoiding real change or acknowledgement of their true feelings, which may bring anxiety and risk, while feeling they are doing all they can to escape it.

The Victim seeks to convince themself and others that they cannot do anything, nothing can be done, all attempts are futile, despite trying hard. The Victim: The Victim in this model is not intended to represent an actual victim, but rather someone feeling or acting like one.Karpman placed these three roles on an inverted triangle and referred to them as being the three aspects, or faces of drama. He defined three roles in the conflict Persecutor, Rescuer (the one up positions) and Victim (one down position). The Karpman Drama Triangle models the connection between personal responsibility and power in conflicts, and the destructive and shifting roles people play. Karpman used triangles to map conflicted or drama-intense relationship transactions. Through popular usage, and the work of Stephen Karpman and others, Karpman's triangle has been adapted for use in structural analysis and transactional analysis. The outcome in such cases was that the actors would be left feeling justified and entrenched, but there would often be little or no change to the presenting problem, and other more fundamental problems giving rise to the situation remained unaddressed. Karpman described how in some cases these roles were not undertaken in an honest manner to resolve the presenting problem, but rather were used fluidly and switched between by the actors in a way that achieved unconscious goals and agendas. The triangle of actors in the drama are persecutors, victims, and rescuers. The drama triangle model is a tool used in psychotherapy, specifically transactional analysis.

The triangle maps a type of destructive interaction that can occur among people in conflict. The Karpman drama triangle is a social model of human interaction proposed by Stephen B. Model of human interaction (proposed 1968) Drama triangle proposed by Stephen Karpman
